Starting in the 1930s, record companies began issuing

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Around 1910, 78 rpm records replaced phonograph cylinder as the medium for recorded sound. The 78 rpm records were issued in both 10" and 12" diameter sizes and were usually sold separately, in brown paper or cardboard sleeves that were sometimes plain and sometimes printed to show the producer or the retailer's name. Generally the sleeves had a circular cutout allowing the record label to be seen. Records could be laid on a shelf horizontally or stood upright on an edge, but because of their fragility, many broke in storage.

German record company Odeon pioneered the "album" in 1909 when it released the "Nutcracker Suite" by Tchaikovsky on four double-sided discs in a specially-designed package. [1] (It is not indicated what the specially designed package was.) The practice of issuing albums does not seem to have been taken up by other record companies for many years.

Beginning in the 1920s, bound collections of empty sleeves with a plain paperboard or leather cover, similar to a photograph album, were sold as "record albums" that customers could use to store their records (the name "record album" was printed on some covers). These empty albums were sold in both 10" and 12" sizes.[1] The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, suspending the fragile records above the shelf and protecting them.

Starting in the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums. These albums could include either a collection of popular songs, on several 78 rpm records, related either by performer or style, or extended length classical music, also on several 78 rpm records, including complete symphonies.[2]

In 1938, Columbia records hired Alex Steinweiss as its first art director. He is credited with inventing the concept of album covers and cover art, replacing plain covers used before. After his initial efforts at Columbia, other record companies followed his lead. By the late 1940s, record albums for all the major companies featured their own colorful paper covers in both 10-inch and 12-inch sizes. Some featured reproductions of classic art while others utilized original designs.

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